King Kong
A superb film. Peter Jackson has really captured the essence of the 1933 original and, with very few changes to the plot, remade it using all the wonders of modern technology.
What stands out? A thrilling face-off between Kong and three T. Rexes (or some such similar dinosaur) which carries on long after most other directors would have called it off and the many shifts in tone, encompassing a surprising amount of comedy. Yet all this pales in comparison with a scene in which many of the principals fight off innumerable creepy-crawlies in the depths of a ravine, insurmountable odds slightly spoiled by the knowledge that a plot device has to save them for the rest of the film.
When it comes down to it, however, this success of this film was always going to come down to the believability of the relationship between Kong and Ann Darrow. Andy Serkis' performance as the former is impressively subtle, but for my money it's Naomi Watts who's the clincher, making us believe not just that Ann comes to love Kong, but that she can also love Jack Driscoll.
For all that, in many respects the 1933 original still triumphs, in part because it achieves the same in half the time and much cruder means. There are occasions when Peter Jackson's version feels like an extended cut, albeit a truly spectacular one.
(16th December 2005)
What stands out? A thrilling face-off between Kong and three T. Rexes (or some such similar dinosaur) which carries on long after most other directors would have called it off and the many shifts in tone, encompassing a surprising amount of comedy. Yet all this pales in comparison with a scene in which many of the principals fight off innumerable creepy-crawlies in the depths of a ravine, insurmountable odds slightly spoiled by the knowledge that a plot device has to save them for the rest of the film.
When it comes down to it, however, this success of this film was always going to come down to the believability of the relationship between Kong and Ann Darrow. Andy Serkis' performance as the former is impressively subtle, but for my money it's Naomi Watts who's the clincher, making us believe not just that Ann comes to love Kong, but that she can also love Jack Driscoll.
For all that, in many respects the 1933 original still triumphs, in part because it achieves the same in half the time and much cruder means. There are occasions when Peter Jackson's version feels like an extended cut, albeit a truly spectacular one.
(16th December 2005)
Reviews A-Z
- Edinburgh Festival season 2006: Bach's Mass in B minor (Fringe)
- Angel-A
- Banlieue 13
- Brokeback Mountain
- Capote
- Casanova
- Charlie and the chocolate factory
- The constant gardener
- The Da Vinci code
- Edinburgh Festival season 2005: Autistic license (Fringe)
- Edward Scissorhands (Matthew Bourne ballet)
- Good night, and good luck
- Harry Potter and the Half-Blood Prince (novel)
- Hebrides Ensemble plays Ravel
- Keeping mum
- King Kong (2005)
- Lady and the tramp (DVD)
- Memoirs of a geisha
- Merry Christmas
- Mission: Impossible III
- Lisa Milne in recital (Usher Hall International Series 2005/06)
- Munich
- The new statesman
- Pirates of the Caribbean: Dead man's chest
- Romeo and Juliet (Edinburgh University)
- Rose St Ensemble's Mozart birthday concert
- Royal Lyceum Theatre Company (2005/06 season): Faust, parts I and II
- Royal Scottish National Orchestra: American icons (2005/06 season)
- Scottish Chamber Orchestra: Mozart and Prokofiev (2005/06 season)
- Superman returns
- Syriana
- Transamerica
- United 93
- Walk the line (2006 film)
- The war of the worlds (2005 film)
- William Jewell College Choir
The bald prima donna (Fringe)
Emily Beynon/Andrew West recital (EIF) Black comedy (Fringe)
Budapest Festival Orchestra (EIF)
The Canterbury tales (Fringe)
Flanders and Swann (Fringe)
The Jazz Centre: Colin Steele quintet (Fringe)
The Lindberg flight/The flight over the ocean and The seven deadly sins (EIF)
Mazeppa (EIF)
The real Inspector Hound (Fringe)
Rosencrantz and Guildenstern are dead (Fringe)
Shakespeare's passions (Fringe)
Troilus and Cressida (EIF)
Beautiful thing (Fringe)
Curlew river (EIF)
Dutch National Ballet (EIF)
Bach cantatas for solo voice (Fringe)
Dido and Aeneas (Fringe)
Fitz Barbershop (Fringe)
Graveyard music (Fringe)
Magdalena Kožená recital (EIF)
MacHomer (Fringe)
Michelangelo string quartet (EIF)
Monteverdi Vespers (EIF)
Monty Python's Flying Circus in French (Fringe)
Philomusica of Edinburgh (Fringe)
Rotterdam Philharmonic Orchestra (EIF)
Les liaisons dangereuses
Tartuffe